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Professor Advisordc.contributor.advisorFerrada Aguilar, Héctor es_CL
Authordc.contributor.authorRomero Karlsson, Gabriel es_CL
Staff editordc.contributor.editorFacultad de Filosofía y Humanidadeses_CL
Staff editordc.contributor.editorDepartamento de Lingüísticaes_CL
Admission datedc.date.accessioned2012-09-12T19:15:41Z
Available datedc.date.available2012-09-12T19:15:41Z
Publication datedc.date.issued2008es_CL
Identifierdc.identifier.urihttps://repositorio.uchile.cl/handle/2250/109762
Abstractdc.description.abstractThe object of this research project is to carry out a literary analysis of the contrast and similarities between the treatment of female portraits presented in some of Edgar Allan Poe’s and Nathaniel Hawthorne’s short stories, and further to illustrate the effect this treatment has on the whole thematic and socio-cultural articulation of these narratives. For this purpose the following short stories have been chosen: by Edgar Allan Poe; “Morella” (1835), “Eleonora” (1841), and “Ligeia” (1838), by Nathaniel Hawthorne; “Mrs Bullfrog” (1837) “The Wedding Knell” (1836), and “The Birthmark” (1843). Each of the selected stories has been a contribution to better understand the socio-cultural situation women during the time they were composed.es_CL
Lenguagedc.language.isoeses_CL
Publisherdc.publisherUniversidad de Chilees_CL
Type of licensedc.rightsAttribution-NonCommercial-NoDerivs 3.0 Chile
Link to Licensedc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/cl/
Keywordsdc.subjectLiteraturaes_CL
Keywordsdc.subjectPoe, Edgard Allan, 1809-1849es_CL
Keywordsdc.subjectHawthorne, Nathaniel, 1804-1864es_CL
Keywordsdc.subjectCUENTO ESTADOUNIDENSE-SIGLO 19-HISTORIA Y CRITICAes_CL
Títulodc.titleA contrastive study of the female portrait in some of Nathaniel Hawthorn’s and Edgar Allan Poe’s short storieses_CL
Document typedc.typeTesis


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Attribution-NonCommercial-NoDerivs 3.0 Chile
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 Chile