https://repositorio.uchile.cl/handle/2250/178516 Sat, 09 May 2026 22:20:58 GMT 2026-05-09T22:20:58Z https://repositorio.uchile.cl/handle/2250/209174 Intermedialidad e integración de prácticas artísticas: muralismo, fotografía y poesía en "Las piedras de Chile" (1961) Acero, Nibaldo; Vera Manríquez, Rodrigo El presente artículo analiza desde una perspectiva intermedial algunas producciones de Las piedras de Chile (1960), práctica artística, principalmente, entre el poeta Pablo Neruda y el fotógrafo Antonio Quintana; y también entre la escultora y muralista María Martner también con el poeta chileno. El enfoque intermedial nos permite vincular disciplinas como la poesía y la fotografía, la poesía y el muralismo, y la poesía, el muralismo y la fotografía, generando un diálogo ecfrástico y de remediación, respectivamente, donde las artes se imbrican para crear prácticas artísticas únicas. La metodología empleada incluye el análisis de écfrasis narrativa y descriptiva para examinar el cruce entre las imágenes de Quintana y los versos de Pablo Neruda; así como nos será enriquecedor atender el concepto de remediación, de Bolter y Grusin (2000), cuando atendamos la relación entre la poesía de Neruda y el mural de Martner, donde cada materialidad influye en la otra.; This article analyzes some of the productions of Las piedras de Chile (1960) from an intermediate perspective, involving the artistic practice between, primarily, the poet Pablo Neruda and the photographer Antonio Quintana as well as between the sculptor and muralist María Martner and the Chilean poet. The intermedial approach allows us to link disciplines such as poetry and photography, poetry and muralism, and poetry, muralism and photography, generating an ekphrastic and remediation dialogue, respectively, where the arts overlap to create unique artistic practices. The methodology employed includes the analysis of narrative and descriptive ekphrasis to examine the crossing between Quintana’s images and Pablo Neruda’s verses. Additionlly, it Will be enriching for us to attend to the concept of remediation, by Bolter and Grusin (2000), when we attend to the relationship between Neruda’s poetry and Martner’s mural, where each materiality influences the other. Wed, 01 Jan 2025 00:00:00 GMT https://repositorio.uchile.cl/handle/2250/209174 2025-01-01T00:00:00Z https://repositorio.uchile.cl/handle/2250/207765 Río Mapocho: el imaginario de un torrente urbano en la ciudad de Santiago de Chile Bravo Sánchez, José Marcelo; Bernabé Crespo, Miguel Borja; Gil Meseguer, Encarnación; Sepúlveda Yáñez, Tamsin Proveniente desde Los Andes, el río Mapocho cruza al Gran Santiago con una capacidad destructiva y turbiedad; lo que ha genera su rechazo colectivo y la pérdida del vínculo ancestral de la comunidad santiaguina. Por ello, desde el periodo colonial se ha intentado dominar a este torrente, gracias a diversas obras hidráulicas. Análogamente, han ido desarrollando una dicotómica percepción e imaginario urbano sobre él, que se aprecia por una urbanización diferenciada. Así, en ciertos tramos urbanos, el río Mapocho se muestra de manera positiva, expresada en áreas verdes, parques navegables y vida urbana en general. Mientras que, en su fisonomía negativa, ejemplificadas por la presencia de autopistas, industrias contaminantes, micro basurales, sitios de eriazos, entre otros; lo que evidencia una fuerte situación de abandono y pestilencia. Es por ello, que este río aparece como un referente santiaguino en variadas expresiones artísticas, como pintura, literatura, comics, series de televisión y películas.; Coming from the Andes, the Mapocho River crosses the Greater Santiago with destructive capacity and turbidity, which has led to its collective rejection and the loss of the ancestral bond of the Santiago community. Since the colonial period, attempts have been made to control this torrent, thanks to various hydraulic works. Similarly, a dichotomous perception and urban imaginary about it has developed, which is reflected in a differentiated urbanization. Thus, in certain urban sections, the Mapocho River is shown in a positive way, expressed in green areas, navigable parks and urban life in general. While its negative physiognomy is exemplified by the presence of highways, polluting industries, micro garbage dumps, wasteland sites, among other, which shows a strong situation of abandonment and pestilence. That is why this river appears as a Santiago reference in various artistic expressions, such as painting, literature, comics, television series and movies. Wed, 01 Jan 2025 00:00:00 GMT https://repositorio.uchile.cl/handle/2250/207765 2025-01-01T00:00:00Z https://repositorio.uchile.cl/handle/2250/207764 San Sebastián de Yumbel: imagen y procesión por un vernáculo espacio religioso biobiense (Chile) Bravo Sánchez, José Marcelo; Duarte Gutiérrez, Patricio; Riquelme Morales, Jeanette Ananeti El presente estudio se centra en la festividad de San Sebastián en Yumbel (Chile), explorando la utilización y el significado de los espacios religiosos en esta celebración. Aunque investigaciones previas sobre la imagen de San Sebastián y su festividad religiosa, carencia de un análisis en profundidad y la relevancia de esta temática en cuestión, dejando con ello un vacío disciplinario. El Santuario estudiado va más allá de la iglesia, ya que, durante las festividades, varios lugares del pueblo se emplean para concretar el ritual católico, desde las calles por donde transcurren las procesiones hasta el campo de oración, lo que demuestra que con el transcurrir del tiempo, el lugar religioso ha debido ampliarse por una falta de espacio para albergar a un número considerable de fieles y peregrinos, que llegan anualmente a las celebraciones del santo estudiado en pos de agradecer algún favor o milagro concedido.; This study focuses on the feast of San Sebastián in Yumbel (Chile), exploring the use and meaning of religious spaces in this celebration. Although previous research on the image of Saint Sebastian and its religious festivity lacked an in-depth analysis and the relevance of this issue in question, leaving a disciplinary vacuum. The Sanctuary studied goes beyond the church, since, during the festivities, several places in the town are used to concretize the Catholic ritual, from the streets where the processions take place to the prayer field, which shows that with the passage of time, the religious site has had to be expanded due to a lack of space to accommodate a considerable number of faithful and pilgrims, who come annually to the celebrations of the saint studied in order to thank some favor or miracle granted. Wed, 01 Jan 2025 00:00:00 GMT https://repositorio.uchile.cl/handle/2250/207764 2025-01-01T00:00:00Z https://repositorio.uchile.cl/handle/2250/207763 Geografía histórico-política de las fortalezas de Cartagena (España): un patrimonio identitario Bernabé Crespo, Miguel Borja; Bravo Sánchez, José Marcelo; Bringas Gutiérrez, Miguel A. The military fortifications on the coast of Cartagena (Spain) are an example of the historic defensive heritage that has become a heritage and tourist symbol of the ancient city, famous for its port, considered the safest in the Mediterranean. Since the 16th century, the insecurity of the Cartagena coast, besieged by incursions from North Africa, made it necessary to fortify the coast by building watchtowers. These strategic sites were transformed over the course of history to become military batteries and castles, highlighting the latest renovations in the 20th century that give them their current appearance. The historical and strategic value, added to the architectural value inserted within the eclectic and modernist trends, and the landscape value, due to its location in mountainous points facing the sea, make this heritage complex a cultural and tourist resource, which represents a distinct and unique identity legacy. The work presents theoretical foundations on the historical defensive heritage and the historical geopolitical context, reasons to understand the need to build these fortifications on the Mediterranean coast, including the geographical characterization of the study area. It is a contribution that combines the study of geohistorical sources and the geostrategic discussion, applied to a relevant case study such as Cartagena. Finally, it highlights the imprint of this cultural heritage and underlines the need for its protection and enhancement. PROCEEDINGS of the International Conference on Fortifications of the Mediterranean Coast FORTMED 2025 Caserta, 10, 11 and 12 April 2025 Wed, 01 Jan 2025 00:00:00 GMT https://repositorio.uchile.cl/handle/2250/207763 2025-01-01T00:00:00Z