Beyond materiality: sintaxis and relationality of rock art and some of the things we call nature

Author	dc.contributor.author	Troncoso Meléndez, Andrés
Admission date	dc.date.accessioned	2014-03-18T12:47:03Z
Available date	dc.date.available	2014-03-18T12:47:03Z
Publication date	dc.date.issued	2007
Cita de ítem	dc.identifier.citation	En: Olivera, V. y Thomas, J. Overcoming the modern invention of material culture. Porto: Adecpa, 2007. pp. 231-244	en_US
Identifier	dc.identifier.uri	https://repositorio.uchile.cl/handle/2250/122328
Abstract	dc.description.abstract	From the analysis of the spatial distribution of the rock art in three zones of the upper basin of the Aconcagua River in central Chile: we discuss the materialization of a particular settlement pattern that necessary and significant dialogue that is established between the engravings and certain elements of its surrounding environment. Dialogue which trespasses our classical notions of culture and nature to face us with a different reality, in which the meaning of rock art transcends the rock materiality of the rock to be inserted in a more complex totality, which seen from an Andean perspective corresponds to Uywaña.	en_US
Lenguage	dc.language.iso	es	en_US
Type of license	dc.rights	Attribution-NonCommercial-NoDerivs 3.0 Chile	*
Link to License	dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/cl/	*
Keywords	dc.subject	Arte rupestre	en_US
Título	dc.title	Beyond materiality: sintaxis and relationality of rock art and some of the things we call nature	en_US
Document type	dc.type	Capítulo de libro

Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 Chile