Rock Art in Central and South America: Social Settings and Regional Diversity
Author
dc.contributor.author
Troncoso Meléndez, Andrés
Author
dc.contributor.author
Armstrong, Felipe
Author
dc.contributor.author
Basile, Mara
Admission date
dc.date.accessioned
2019-05-31T19:36:45Z
Available date
dc.date.available
2019-05-31T19:36:45Z
Publication date
dc.date.issued
2017
Cita de ítem
dc.identifier.citation
En: The Oxford Handbook of the Archaeology and Anthropology of Rock Art 2017
es_ES
Identifier
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10.1093/oxfordhb/9780190607357.013.53
Identifier
dc.identifier.uri
https://repositorio.uchile.cl/handle/2250/169746
Abstract
dc.description.abstract
Central and South America is a vast region, where a wide range of different societies established, transformed, disappeared, and endured. This kaleidoscope of peoples offers a
particularly rich and diverse body of rock art in terms of its historical, technical, visual,
and spatial features. The first sections of this chapter briefly introduces the reader to this
diversity, as well as to the history of rock art research, presenting and discussing the different theoretical and methodological frameworks used. The authors discuss the role that
rock art played—and still plays—for different groups, which they have grouped in terms
of their common socioeconomic strategies. The authors argue that rock art research from
this region can contribute to the wider understanding of rock art in the world, offering its
materialistic and archaeological approaches ranging from the study of social complexity,
the domestication of animals, mobility, and memory.