Analysis, conservation and restoration of the metal threads used in Latin American colonial saints'robes
Author
dc.contributor.author
Theile Bruhns, Johanna
Author
dc.contributor.author
Guarda, G.
es_CL
Author
dc.contributor.author
Croquevielle Puelma, Ernesto
es_CL
Admission date
dc.date.accessioned
2014-09-24T15:18:23Z
Available date
dc.date.available
2014-09-24T15:18:23Z
Publication date
dc.date.issued
2004
Cita de ítem
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En: Metal 04: Proceedings of the International Conference on Metals Conservation. Canberra: National Museum os Australia, 2004. pp. 501-513
en_US
Identifier
dc.identifier.isbn
1876944331
Identifier
dc.identifier.uri
https://repositorio.uchile.cl/handle/2250/118515
Abstract
dc.description.abstract
In this work we have analysed the silver and gold threads used for the decoration on the
costumes of important religious sculpture from the colonial period and also one 19th C. statue of the
Virgin Mary. Latin America had plenty of silver and gold mines not only during the colonial period but
also in the 18th and 19th C. Silver and gold threads were frequently used in the embroidered decoration of
the costumes adorning the most important, miraculous religious sculptures . The people of Latin America
were very religious during that time.
This work presents the analyses and restoration on objects representative of three famous
colonial sculpture schools in Latin America and the important school of Cataluña in Spain. The objects
selected were:
Angel (school of Quito. Ecuador), Saint Magdalena and Saint Frederick (school of Cuzco, Peru)
all from El Huique church,
a Christ Child and a Textail (Pluvial) (both from a school in Chile) from the Cathedral of
Valdivia;and
a Virgen del Carmen from the patron of Santiago 19th C. Spanish school, Cataluña.