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Authordc.contributor.authorGrass, Milena 
Authordc.contributor.authorKalawski Isla, Andrés 
Admission datedc.date.accessioned2015-12-09T03:57:33Z
Available datedc.date.available2015-12-09T03:57:33Z
Publication datedc.date.issued2015
Cita de ítemdc.identifier.citationTheatre Research International Volumen: 40 Número: 3 oct. 2015en_US
Identifierdc.identifier.otherDOI: 10.1017/S0307883315000371
Identifierdc.identifier.urihttps://repositorio.uchile.cl/handle/2250/135532
General notedc.descriptionArtículo de publicación ISIen_US
General notedc.descriptionSin acceso a texto completo
Abstractdc.description.abstractThis article presents the way in which both torture and the disappearance of individuals were staged in Chilean theatre from 1985 to 2011. The diachronic approach of this study is set to determine the ways in which the state's official reports on humans rights violations during dictatorship - the Rettig Report (1991) and the Valech Report (2004, 2011) - made an impact on theatrical production in terms of its political function. The study also analyses deployed theatrical devices to address extreme political violence onstage.en_US
Lenguagedc.language.isoenen_US
Publisherdc.publisherCambridge Univ Pressen_US
Keywordsdc.subjectDetenidos desaparecidos -- Chile -- 1973-1990
Keywordsdc.subjectTortura -- Chile -- 1973-1990
Keywordsdc.subjectTeatro -- Chile -- 1973-1990
Títulodc.titleTorture and Disappearance in Chilean Theatre from Dictatorship to Transitional Justiceen_US
Document typedc.typeArtículo de revista


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