Large screens in the liquid perception of urban landscape
Author
dc.contributor.author
Velásquez Betancourt, Paola
Author
dc.contributor.author
Letelier Parga, Sofía
Admission date
dc.date.accessioned
2016-07-28T16:50:13Z
Available date
dc.date.available
2016-07-28T16:50:13Z
Publication date
dc.date.issued
2015
Cita de ítem
dc.identifier.citation
International Journal of Design Sciences and Technology, Volume 21 Number 2 (2015)
en_US
Identifier
dc.identifier.issn
1630-7267
Identifier
dc.identifier.uri
https://repositorio.uchile.cl/handle/2250/139740
Abstract
dc.description.abstract
The permanent or ephemeral irruption of moving images in urban space provokes changes in the experience of a landscape, impacting
on the notion of space itself: by moving the attention’ focus from static accidents to changing focuses, the interest vector becomes
predominant in heightening the void of space, while its borders – the landscape – become plastic. The acceptance of ICTs by society,
their technical advances demonstrated by the use of screens with seductive design, allows for a foretelling of the phenomenon’s
expansion, which will shape a new perception of urban space and its experience. Since moving images will define the reading of the
21st century space, as the impact of automobile or large-scale billboard advertising did in the 20th century, it is necessary to know
in what specific ways the irruption of large-scale LED screens happens in Santiago, and its degree of induction in spatial perception.