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Authordc.contributor.authorEsparza, Gilberto 
Authordc.contributor.authorArmas, Marcela 
Authordc.contributor.authorConstantini, Arcangelo 
Authordc.contributor.authorRosero Contreras, Paul 
Authordc.contributor.authorMestizo, Hamilton 
Authordc.contributor.authorYeregui, Mariela 
Authordc.contributor.authorGrassi, Miguel 
Authordc.contributor.authorMotta, Gisela 
Authordc.contributor.authorLima, Leandro 
Authordc.contributor.authorPeraza, Rodolfo 
Authordc.contributor.authorOyarzún, Christian 
Authordc.contributor.authorNuñez, Leo 
Admission datedc.date.accessioned2018-06-20T14:01:29Z
Available datedc.date.available2018-06-20T14:01:29Z
Publication datedc.date.issued2017
Cita de ítemdc.identifier.citationLeonardo Vol. 50 (4): 418-437es_ES
Identifierdc.identifier.issn1530-9282
Identifierdc.identifier.urihttps://repositorio.uchile.cl/handle/2250/149057
Abstractdc.description.abstractRover is a mechatronic imaging device inserted into quotidian space, transforming the sights and sounds of the everyday through its peculiar modes of machine perception. Using computational light field photography and machine listening, it creates a kind of cinema following the logic of dreams: suspended but mobile, familiar yet infinitely variable in detail. Rover draws on diverse traditions of robotic exploration, landscape and still-life depiction, and audio field recording to create a hybrid form between photography and cinema. This paper describes the mechatronic, machine perception, and audio-visual synthesis techniques developed for the piece.es_ES
Patrocinadordc.description.sponsorshipEcuador's Nuevo Mariano Aguilera award Voxeljetes_ES
Lenguagedc.language.isoenes_ES
Publisherdc.publisherMIT Presses_ES
Sourcedc.sourceLeonardoes_ES
Títulodc.titleBioSoNot 1.2es_ES
Document typedc.typeArtículo de revista
dcterms.accessRightsdcterms.accessRightsAcceso a solo metadatoses_ES
Catalogueruchile.catalogadortjnes_ES
Indexationuchile.indexArtículo de publicación ISIes_ES


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