Silent reading of music and texts; eye movements and integrative reading mechanisms
Author
dc.contributor.author
Cara, Michel A.
Author
dc.contributor.author
Vera, Gabriela Gómez
Admission date
dc.date.accessioned
2019-03-18T11:54:59Z
Available date
dc.date.available
2019-03-18T11:54:59Z
Publication date
dc.date.issued
2016
Cita de ítem
dc.identifier.citation
Journal of Eye Movement Research, Volumen 9, Issue 7, 2018,
Identifier
dc.identifier.issn
19958692
Identifier
dc.identifier.other
10.16910/jemr.9.7.2
Identifier
dc.identifier.uri
https://repositorio.uchile.cl/handle/2250/166901
Abstract
dc.description.abstract
This study investigates to what extent structural units defined by physical and structural markers elicit different eye movement patterns when reading contrasting stimuli of music and verbal texts. Eye movements were tracked and compared in ten musicians undergoing Bachelor's degrees as they silently read six texts and six pieces of music for piano: the music was contemporary, in modal style, and the style of the texts was informative and literary. Participants were music students at Universidad de Chile studying for Bachelor's degrees. Information integration for both local (intrasentence/phrase) and global (intersentence/ phrase) levels of processing was assessed through regressive fixations at the first pass and re-reading stages. Memory involvement in musical and verbal processing was investigated using verbal working memory and spatial memory tasks, suggesting a link between spatial memory and the reading of contemporary music. Both local and global integrative controls vary accor