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Authordc.contributor.authorPinto, Iván 
Admission datedc.date.accessioned2019-10-22T03:13:54Z
Available datedc.date.available2019-10-22T03:13:54Z
Publication datedc.date.issued2019
Identifierdc.identifier.issn07170491
Identifierdc.identifier.urihttps://repositorio.uchile.cl/handle/2250/172013
Abstractdc.description.abstractThis article analyses Chilean Documentaries released after 2011: El vals de los inútiles (Edison Cajas 2013), Ya no basta con marchar (Hernán Saavedra 2016), Tres instantes un grito (Cecilia Barriga 2013) Propaganda (Colectivo MAFI 2014), Crónica de un comité (José Luis Sepúlveda & Carolina Adriazola 2014) y Si escuchas atentamente (Nicolás Guzmán 2015). These Filmes propose a Question about subjective and affective Conditions of Social movements from a Image and Body Performative Policy.
Lenguagedc.language.isoen
Publisherdc.publisherUniversidad Andres Bello
Type of licensedc.rightsAttribution-NonCommercial-NoDerivs 3.0 Chile
Link to Licensedc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/cl/
Sourcedc.sourceRevista de Humanidades
Keywordsdc.subjectDiscontent
Keywordsdc.subjectDissensus
Keywordsdc.subjectDocumentary Filme
Keywordsdc.subjectNeoliberalism
Títulodc.titleImages that matter: Social movements, discontent and neoliberalism in chilean documentaries after 2011 Imágenes Que importan: Movimientos sociales, malestar y neoliberalismo en documentales Chilenos post 2011
Document typedc.typeArtículo de revista
Catalogueruchile.catalogadorSCOPUS
Indexationuchile.indexArtículo de publicación SCOPUS
uchile.cosechauchile.cosechaSI


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Attribution-NonCommercial-NoDerivs 3.0 Chile
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 Chile