Naciste pintada de Carmen Berenguer o el desplazamiento de los géneros literarios/sexuales

Abstract

The following article proposes a reading of the book Naciste pintada by Carmen Berenguer, from a literary/sexual gender's point of view. Berenguer moves the hegemonic limit of the private/public extents of sexual genders, through a break in the literary genre orders, where the testimony as a referential genre is the one which goes through the entire discourse.